The record was made by Bob Ostertag in 70s'. He played a keyboard-less, modular Serge synthesizer. It's definitely a wonderful listening journey with such unique sound.
"The modules generate shapes, and everything hangs on how you cause the shapes to overlap and intersect. For such highly engineered technology, the experience is surprisingly intuitive and spontaneous. " - Bob Ostertag
supported by 10 fans who also own “At the Squat Theater, New York City”
Completely amazing, singular work of art from a modern master of the Serge system. In a time when modular has become shorthand for self-generating prog patches Perceptual Geography presents a diorama of voltages - land, sea and time all narrated by the crackling of electricity. killtime
supported by 9 fans who also own “At the Squat Theater, New York City”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt