supported by 10 fans who also own “Bob Ostertag Plays the Serge”
Completely amazing, singular work of art from a modern master of the Serge system. In a time when modular has become shorthand for self-generating prog patches Perceptual Geography presents a diorama of voltages - land, sea and time all narrated by the crackling of electricity. killtime
supported by 9 fans who also own “Bob Ostertag Plays the Serge”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt